Explore Jonathan Frakes' career from Commander Riker to director, his criticism of Star Trek: Nemesis, and his enduring influence on sci-fi storytelling.
Jonathan Frakes took the captain's chair behind the camera after establishing himself as Commander William Riker on Star Trek: The Next Generation. His directorial debut, Star Trek: First Contact (1996), became the highest-grossing TNG film and a fan favorite. Frakes followed with Star Trek: Insurrection (1998), a more character-driven entry that divided audiences but solidified his reputation as a director who prioritized moral dilemmas over spectacle.
Frakes credits his years as an actor with giving him insight into working with performers and maintaining character integrity. “As an actor, I know when a director trusts me,” he has said. “I try to give that same trust to my cast.”
His approach stood in contrast to many action-oriented sci-fi directors. Frakes leaned into the character-first ethos of The Next Generation, using scenes of quiet negotiation and ethical conflict as the backbone of his films. This philosophy would later inform his work on television, including multiple episodes of Seth MacFarlane's The Orville, a series that openly channels Star Trek's optimistic, character-driven storytelling.
On their podcast Dropping Names with Brent and Jonny, Frakes and TNG co-star Brent Spiner have been vocal about what went wrong with 2003's Star Trek: Nemesis. The film, intended as the grand finale for the Next Generation crew, instead became a critical and commercial disappointment. Frakes points directly at director Stuart Baird, a veteran film editor with no prior experience directing a feature. In a recent episode with guest Ron Perlman, who played the Reman viceroy in the film, the trio lambasted Baird's approach. Perlman said the cast observed Baird “had no people skills whatsoever” and believed he was hired primarily because “he saved a lot of their turkeys” as an editor. Frakes echoed that sentiment, arguing that Baird misunderstood the tone and characters of The Next Generation. “He was not a director, he was an editor that the studio owed a favor to,” Perlman said on the podcast. The criticism highlights Frakes' own directorial philosophy: that a director must respect the established universe and trust the actors who embody its icons.
“He had no people skills whatsoever… he was not a director, he was a fucking editor that the studio owed a favor to.” — Ron Perlman on Dropping Names
Frakes' willingness to speak candidly about the film's failure reflects his commitment to the franchise. He has used his platform — the podcast and interviews — to educate fans about the collaborative nature of filmmaking and the importance of directorial leadership. The lesson from Nemesis is not just about one bad movie; it's about how ignoring a franchise's core identity can alienate its audience.
Beyond his work on Star Trek films, Frakes has directed numerous episodes of The Orville, a series that openly pays homage to the optimistic, character-driven storytelling of The Next Generation. His involvement bridges two eras of thoughtful sci-fi, demonstrating that the principles he honed in the 1990s remain relevant. Frakes also continues to influence modern sci-fi by mentoring new directors and participating in fan conventions, ensuring his vision of thoughtful, inclusive science fiction lives on. His work on The Next Generation introduced groundbreaking concepts like the holodeck and replicators as narrative tools for exploring ethical issues — ideas that have since inspired real-world technologies in AI and cybersecurity, such as those discussed in Neil Muller's work transforming cybersecurity with AI.
“The holodeck and replicators weren't just cool gadgets; they were devices to ask moral questions about identity, scarcity, and reality.” — Jonathan Frakes (paraphrased from interviews)
Frakes' influence extends beyond set design. He has been a vocal advocate for diverse casting and inclusive storytelling, values that Star Trek championed long before they became industry standards. By directing both blockbuster films and intimate television episodes, Frakes has shown that character-driven science fiction can be both commercially viable and artistically fulfilling. Even as the hobby of trainspotting transforms in the digital age, Frakes' legacy reminds us that technology serves story — not the other way around.
Jonathan Frakes' career is a masterclass in transitioning from actor to director while preserving the soul of a beloved franchise. His blunt criticism of Star Trek: Nemesis shows a director who understands that respecting the source material and the actors who bring it to life is non-negotiable. Here are the core facts: