Explore Mel Brooks' career from 'Blazing Saddles' to 'Spaceballs', his 40-year gag, and his enduring influence on comedy and film.
In 2023, Mel Brooks finally told a joke he had been sitting on for over 40 years. The gag, originally conceived for History of the World, Part I (1981), finally saw the light of day in the Hulu series History of the World, Part II. It wasn't his greatest joke, but its journey reveals the meticulous craft behind comedy's most enduring figure.
"He had a joke in his back pocket that he’d been holding onto for 40 years," said David Stassen, writer and executive producer of the series.
Brooks' patience exemplifies his philosophy: a joke is not just a setup and punchline, but an artifact to be deployed at the perfect moment. Alice Mathias, director of the series, noted that Brooks made himself available to guide the creative team, insisting that this specific joke be included. The series, which premiered on Hulu in 2023, gave Brooks the opportunity to resurrect material from the original. The Civil War segment featured the long-awaited gag, which, while not his funniest, delighted fans who appreciated the behind-the-scenes story.
Blazing Saddles (1974) remains a landmark of American cinema, not just for its humor but for its fearless satire of racism. Brooks took the Western genre—a bastion of American mythology—and turned it inside out, using absurdity to expose the absurdity of prejudice. The film's campfire scene, where the cast breaks into a farting contest, is both juvenile and brilliant: it levels the playing field between the powerful and the marginalized.
Brooks' approach was simple: attack societal norms by making them ridiculous. He understood that comedy could disarm audiences, allowing them to confront uncomfortable truths through laughter. The film's success—both critically and commercially—proved that transgressive humor could have mainstream appeal. Decades later, Blazing Saddles remains a touchstone for comedians who want to push boundaries without losing the audience.
Brooks didn't just make a few good comedies; he built an empire of parody. Spaceballs (1987) spoofed Star Wars with affection and irreverence, creating iconic characters like Dark Helmet and Pizza the Hutt. High Anxiety (1977) targeted Hitchcock's thrillers, while History of the World, Part I (1981) took on all of human civilization in rapid-fire sketches. Later gems like Robin Hood: Men in Tights (1993) and Dracula: Dead and Loving It (1995) continued his tradition of genre satire.
What sets Brooks' parodies apart is their genuine love for the source material. He never mocked for the sake of mockery; instead, he deconstructed genres to highlight their conventions. His films are packed with jokes—often multiple per minute—and his signature meta-humor, where characters acknowledge they're in a movie, became a staple of comedy writing. Brooks also found success on Broadway, winning three Tony Awards for the musical adaptation of The Producers (2001).
The influence is undeniable. Shows like The Simpsons and Family Guy owe a debt to Brooks' rapid-fire joke density. Modern parody films like the Scary Movie franchise trace their lineage back to Brooks' work. Even the recent resurgence of sketch comedy on platforms like YouTube owes something to his willingness to experiment with form.